2B: My Holiday Story

With some spiked cider in one hand, the snow falling outside the window and a house that is all to quiet to not be brewing some brilliance, I bring you a story from my holiday season:

Twas the night before Christmas, and all through the house not a creature was stirring, not even to mention the parents were completely passed out. In anticipation of what I thought the season was to be, the air brought someone out of me, altruistically speaking. I would have normally been seeking asylum, but then suddenly I found myself reaching out to something more and new outside me.

I boarded the train, with a new bag, that is often mistaken for real leather. Call it the vegan inside of me, who is drowning in the meat. I love steak and had it for a wedding recently, where stolen moments are now posted on facebook for your viewing pleasure. I wonder if the tribes had some validity in staying a part of your soul is taken in each click. I saw that on Zoolander once.

I accepted my trip when I was leaving the train and was “bombarded” by three rebel rousers, and by “bombarded” I mean we shared a narrow escalator with people pouring out the sides. We had our room however, because we had enough time to exchange glances from two levels of steps and I could actually hear him telling me I was pretty.

I guess when he saw that I had no fear in my eyes at something that exists above the pitch of daily life, we then exchanged a bottles’ glance and he offered me the moonshine I was looking at earlier. Mixed with cool aid, he yelled, “Does anyone wanna to take a sip of my piss?” As though to repel the ants that commuted and caused people traffic.

I looked to the left saw cops standing, and something about the air didn’t smell right, so I left quickly to the platform and asked a kind plumpish lady with a pleasant demeanor for a cigarette. I thought I could wait it out here since the trains hadn’t been posted. There is something classic about train stations that wait to post track numbers. I wondered if someone in the crowd was experienced enough to anticipate what track the train would be on which day, and I waited.

I even crave a cigarette while I tell this story. I wait for the three backpackers.
I took notice of two as the third seeped into the background. He reminded me of a tortured actor. I waited, my hands were cold, and in rushing to shove them in my pockets, something breaks the cigarette that was there. I go to the train. I stop and wait. People are running on, and/or by me so I move to the side, between billboards as to not get pushed. I board the train, and I hear a familiar voice say behind, “Oh good, there you are.” I am celebrating my reunion, and that my short term memory is still intact and I could remember the rebel rouser’s voice. We sit across from each other and trade stories. That moonshine they offered earlier, gets passed around in a circle and sipped among sterile evening commuters. It’s the 6:15 train.

Bull lets me looks at pictures and tells me he travels the country off of his disability checks. He can not read and he can not write, but he manages to write some things down on a piece of paper. I am noticing to my right that his friend, with the dirty yellow jacket is squinting to read the paper. “I’ve been on the streets since I was 15.” 13, maybe…I was too in keen with the visual stimulation of his storytelling.

He looked so weathered after time in jail. I see, a picture – and I see the shirt he wears, and I say to my friend, “Oh, you have a souvenir.” He stops the two companions, to gain their attention and makes me say it again. We bond…the details from there out are not as necessary as those I can remember with clear images and vivid colors that have been showered in layers of dirt. There was something soothing about seeing that much dirt. I am reminded of something in that moment, and invited on their journey, and travel through memories, photos and stories.

The man in the yellow jacket sings louder, I hear Red Hot Chili Peppers which gave a name of the auras they were releasing. The plastic 2 liter gets passed, and is almost done.

I am taking
big sips.
“A drinker I see.”
I smile.
We laugh.

I can not remember the moment before or after mase and knives were brought up. I can remember Bull bringing up the topic casually after he reveals his multiple felonies, arrests, and his mug shot.

I really liked his mug shot.
There was something soft in his face
that I could barely recognize these days.
The memories that follow exist with my own souvenir.

A barter in good faith, for protection on the journey we shared in that singular moment.

Untitled: Cassandra Fradera-Lopez

Madagascar bids farewell to a cultural legend

In September 2008 Madagascar lost a cultural icon – Rado. Rado was the pen name used by Georges Andriamanantena who was born in 1923 and later became one of the most influential journalists and artists in Madagascar. It is very rare that one is born a painter, poet and musician in one body but Rado was one of these creatures.

Rado was one of the original founders of UPEM, an organization that petitions for the use of the Malagasy language (and values) in literature and education. On principal, he often chose to write in Malagasy even though he knew French. And naturally, most of his poetry centers around being Malagasy and wanting freedom and equal rights. This is very interesting especially when you compare him to Jean-Joseph Rabearivelo who felt disconnected from his community and country. Both poets were born at different times but they did live in the same country, albeit at different times.

Rado is known as much in the country for his composition of Malagasy gospel hymns as well as for his poems that were later converted to music. He was a complete revolutionary – even commenting on apartheid in South Africa. I have been reading some of his translated poems (see: http://www.freewebs.com/radopoete/tolonysesluttes.htm) and would like to share one:

Let thus

Let us thus get angry at those who want to get angry

Because for us, it is ceaselessly necessary to protest

As long as injustices still exist

Which undergo the blacks on this planet.

Let thus the ears break themselves by understanding the shouts

which we cannot suppress

Because for us, it is altogether necessary to demand

Equal rights and status

Let thus the glances squint with anger

Because we are neither slaves nor madmen

Give to us the strength; to them the money …

If there is no agreement between each one.

When you type in Rado’s name in Google you will find many blogs by Malagasy people all over the world who have paid him tribute and written virtual obituaries about how he made them love poetry and changed their lives. There is a website (http://www.freewebs.com/radopoete) that is translating his work to keep him alive on the internet. It is a truly beautiful thing when your words and deeds touch people in this way and change someone’s life.

Below is a video tribute to Rado;

“In poetry the heart is filled,” M. Rado, Malagasy poet

I cannot seem to decide if I am glad to see 2008 draw to an end or if I am grateful that I had such a tumultuous year. In many ways this year has been har and filled with countless sorrows. But I also feel blessed that things went the way that did, because I learned a lot from my experiences and started to see the truth of my life.

The most important lessons from this year were:

1) sometimes the kindness of strangers is what keeps us from losing our minds and

2) people telling their stories to us can really change our destiny. It is because of the latter lesson that Speak 2B Free was born and I met Cass, Gina and George.

Speak 2B Free’s tag line expresses my sentiments: “We begin to live our lives, when we tell our stories.” Everyone has a story to tell and we are more alike than we realize and this is drowned out by the fact that many people in different countries cannot voice their stories. Take Madagascar, which is our focus country for the week, Malagasy poets are not known outside of Madagascar so Malagasy people’s voice is not often heard on an international scale. The majority of Malagasy poets are published in Madagascar, and very rarely get included in anthologies outside the country.

The traditional spoken word poetry of Madagascar is called hain-teny, and is very musical and rythmical (there is a constant link between poetry and music). Hain-teny are short poems written in the form of a dialogue and use traditional proverbs and metaphors and often deal with matters of love (to be honest there is a lot of debate around the definition of this poetry so this is just one description). According to Wikipedia, he poetry was first collected on the orders of Queen Ranavalona I (who s also known as the Modern Messalina) in the 19th century. One of the first people to write about hain-teny and bring it to the world’s attention was a French Writer called Jean Paulhan who actually went to Madagascar to find gold and ended up writing an essay about this form of poetry (what happened to the gold hunt?).

In the old days hain-teny was usually improvised, like freestyle, but today modern poets in Madagascar are writing it as prose poetry or free verse poetry and stylizing their performances. The most famous Malagasy poet is Jean-Joseph Rabearivelo who started writing because he felt isolated in his own community and dreamed of visiting France because he felt Madagascar was stifling him. When he was refused a French visa he committed suicide, at the age of 39. Personally, I am a little intrigued by this extreme response – you would think that the fact that he was living in a colonized country would make him a revolutionary and make him hate Paris. It turns out not all poets are rebels because Mr Rabearivelo‘s poetry is beautiful and has many themes about nature. Even though he was influenced by hain-teny he did not write about love.

Below is a sample of Jean-Joseph Rabearivelo work:

“Three daybreaks”
All the stars are melted together
in the crucible of time,
then cooled in the sea
and turned into a many-faceted stone-block.
A dying lapidist, the Night,
setting to work with all her heart
and all her grief to see her mills
crumbling, crumbling,
like ashes in the wind,
cuts with what living care the prism.

There is a kind of magic

There is a kind of magic
Every time I lose myself
In your eyes.
I can see flowers
And butterflies.
I can dance on the moon.
I can even fly.

There is a kind of magic
Whenever you touch me.
I get stronger then I can be.
I can overcome all difficulties.
I can open doors,
You are my key.
Whenever I kiss you,
I dive in your sea.
I float in
Oceans of pleasure and passion.
I have mysterious
Sweet affections.
There is this something that
I can’t explain and it is divine.
Life has become a diamond.
Let it shine.
And I hope our magic never ends.
May it always be our delight.
I think of you
And my heart sighs…
And my soul is free…
So my love,
Be always by my side.
Make me melt inside.
Because
There is a kind of magic
And everybody can see
That I belong to you
And you belong to me!
Brazilian Guest Blogger: Deborah Grunglasse

There is magic in an excellent presentation of poetry

Akuwuwu                                                                              Norman Dubie & Afaa Weaver

Akuwuwu 阿庫烏霧 is the poet standing with the schoolchildren here.  He is a dynamic poet, a man whose presence you will not forget.  He is a kind and generous poet, a member of the Yi culture of southwestern China who is about, among other things sustaining his mother tongue, the language of Yi culture.  Reading the most recent posting here about the dynamism of good performance and its significance in getting the word to people brought Akuwuwu to mind.  I couldn’t agree more about the importance of the context and manner of the delivery of poetry, although I believe I could be more dynamic if I were to work at it.
There is magic in an excellent presentation of poetry, and I have worked in theater enough to know the difference between acting and a good delivery of poetry.  Actors are poets in another way, the way of articulating the soul, and they walk the tight wire of an examined life in the same way poets do.  There is a heartstring connecting them.

Norman Dubie is the poet with the beard standing next to me.  We met for the first time in Tempe, Arizona, where he has lived for many years.   He is a spiritual man, a Tibetan Buddhist, and he lives with a reverence for life.  That is a splendid performance, and a difficult one.
You can read an interview with him here:     http://www.pw.org/content/return_silence_interview_norman_dubie
Happy Holidays!
—Afaa Michael Weaver
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