Interesting videos on the power of stories and words

I am currently in the middle of settling into a new place in a different part of Boston so my I have decided to share some interesting videos I have been watching today:

If you are interested in mood altering drugs and the link to spirituality this is a video you should watch:

Inspirational quotes from “The Alchemist”

I am currently re reading “The Alchemist” by Paulo Coelho and I wanted to share some inspirational quotes from the book to reflect on during the season.

1) “It’s not what enters men’s mouths that’s evil. It’s what comes out of their mouths that is.”

2) “The secret is here in the present. If you pay attention to the present, you can improve upon it. And, if you improve on the present, what comes later will also be better. Forget about the future, and live each day according to the teachings, confident that God loves his children. Each day, in itself, brings with it an eternity.”

3) “Courage is the quality most essential to understanding the Language of the World.”

4) “When a person really desires something, all the universe conspires to help that person to realize his dream.”

5) “Remember that wherever your heart is, there you will find your treasure. You’ve got to find the treasure, so that everything you have learned along the way can make sense.”

6) “You must understand that love never keeps a man from pursuing his destiny. If he abandons that pursuit, it’s because it wasn’t true love … the love that speaks the language of the world.”

7) “Listen to your heart. It knows all things, because it came from the Soul of the World, and it will one day return there.”

8) “People are afraid to pursue their most important dreams, because they feel that they don’t deserve them, or that they’ll be unable to achieve them.”

9) “Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.”

10) “Every search begins with beginner’s luck and ends with the victor’s being severely tested.”

“It is life that gives unto life – while you are but a witness. ” – Khalil Gibran

I forget why I love Khalil Gibran but there are days like today when I remember and smile. This morning I was once more in tears (I think crying is cathartic and I indulge in it often) one of my friends read me a passage (On Joy and Sorrow) from “The prophet” and I have been reading some passages sporadically ever since and would like to share my favorites on the blog:

On Pleasure
     Then a hermit, who visited the city once a year, came forth and said, “Speak to us of Pleasure.”
      And he answered, saying:
      Pleasure is a freedom song,
      But it is not freedom.
      It is the blossoming of your desires,
      But it is not their fruit.
      It is a depth calling unto a height,
      But it is not the deep nor the high.
      It is the caged taking wing,
      But it is not space encompassed.
      Ay, in very truth, pleasure is a freedom-song.
      And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing.
      Some of your youth seek pleasure as if it were all, and they are judged and rebuked.
      I would not judge nor rebuke them. I would have them seek.
      For they shall find pleasure, but not her alone:
      Seven are her sisters, and the least of them is more beautiful than pleasure.
      Have you not heard of the man who was digging in the earth for roots and found a treasure?
      And some of your elders remember pleasures with regret like wrongs committed in drunkenness.
      But regret is the beclouding of the mind and not its chastisement.
      They should remember their pleasures with gratitude, as they would the harvest of a summer.
      Yet if it comforts them to regret, let them be comforted.
      And there are among you those who are neither young to seek nor old to remember;
      And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it.
      But even in their foregoing is their pleasure.
      And thus they too find a treasure though they dig for roots with quivering hands.
      But tell me, who is he that can offend the spirit?
      Shall the nightingale offend the stillness of the night, or the firefly the stars?
      And shall your flame or your smoke burden the wind?
      Think you the spirit is a still pool which you can trouble with a staff?
      Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being.
      Who knows but that which seems omitted today, waits for tomorrow?
      Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul,
      And it is yours to bring forth sweet music from it or confused sounds.
      And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?”
      Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower,
      But it is also the pleasure of the flower to yield its honey to the bee.
      For to the bee a flower is a fountain of life,
      And to the flower a bee is a messenger of love,
      And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
      People of Orphalese, be in your pleasures like the flowers and the bees. 


On Talking

      And then a scholar said, “Speak of Talking.”
      And he answered, saying:
      You talk when you cease to be at peace with your thoughts;
      And when you can no longer dwell in the solitude of your heart you live in your lips, and sound is a diversion and a pastime.
      And in much of your talking, thinking is half murdered.
      For thought is a bird of space, that in a cage of words many indeed unfold its wings but cannot fly.
      There are those among you who seek the talkative through fear of being alone.
      The silence of aloneness reveals to their eyes their naked selves and they would escape.
      And there are those who talk, and without knowledge or forethought reveal a truth which they themselves do not understand.
      And there are those who have the truth within them, but they tell it not in words.
      In the bosom of such as these the spirit dwells in rhythmic silence.
      When you meet your friend on the roadside or in the market place, let the spirit in you move your lips and direct your tongue.
      Let the voice within your voice speak to the ear of his ear;
      For his soul will keep the truth of your heart as the taste of the wine is remembered
      When the colour is forgotten and the vessel is no more. 

On Joy & Sorrow
      Then a woman said, “Speak to us of Joy and Sorrow.”
      And he answered:
      Your joy is your sorrow unmasked.
      And the selfsame well from which your laughter rises was oftentimes filled with your tears.
      And how else can it be?
      The deeper that sorrow carves into your being, the more joy you can contain.
      Is not the cup that hold your wine the very cup that was burned in the potter’s oven?
      And is not the lute that soothes your spirit, the very wood that was hollowed with knives?
      When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.
      When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.
      Some of you say, “Joy is greater than sorrow,” and others say, “Nay, sorrow is the greater.”
      But I say unto you, they are inseparable.
      Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.
      Verily you are suspended like scales between your sorrow and your joy.
      Only when you are empty are you at standstill and balanced.
      When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.

At which point does hate speech force us to say enough?

I have been reading and hearing about minarets in Switzerland. And then yesterday at the train station this unease turned into trepidation when a young boy ran down the stairs and stood screaming at an older man: “Do you have your green card? You f****n Osama Bin Laden look alike?”

He kept screaming this for a while. At first I was a little flustered because this was such an obviously loud scream and there were security guards in the place and people were going aboutn their business as though this was normal. I kept thinking this is wrong. A few decades ago a young boy could have called me the N word and people would have reacted the same way. Should we not have learned from history?
I was literally on my way to go fight the boy when my train came but I was livid that I did not say anything. As I got on the train I had to ask why no-one had tried to tell the boy that that remark was uncalled for? At the same time I was trying to figure out when in our society being a look alike of someone became an insult and being a particular religion made one a terrorist? Why did the security guards not step in?
I know that the boy had the right to say what he wanted because of freedom of speech but it is through speech and words that we also take away others freedom. If we think about the laws that we pass – these are just written words and yet they shape our very existence. I think of prop 8 in the USA that took away the rights of GBLT people to marry. .
I also cast my mind to the new proposed law that calls for the ban of minarets in Switzerland – that ban started with a bunch of politicians using their voices to state that minarets are not in the Qur’an and then they wrote a law and through the use of words they are creating a reality. Unfortunately that law is taking away the freedom of another group of people. Where is the voice of the international community in this issue? Yes we all want to stop terrorism but it makes no sense to say because someone is Muslim they are a terrorist. This is the same mentality that states that all black men are gangsters. It’s ridiculous and presupposes that one’s personality or political agenda is predetermined at birth which negates the concept of free will and freedom altogether.
I have friends that tell me that when you are in a particular country you have to follow the laws of that country because you are a guest in that country. But I believe there is a difference between obeying laws and having your right to practice your faith and live your own way restricted.
Do we not speak 2B Free so that we can live 2B free? If we do not speak up against an act of discrimination are we not just supporting a discriminatory society?
I would like to share a link to a poetry video by one of my favorite poets, Amir Suleiman:

Slam artist George Watsky plugs into poetry as a media platform – The Boston Globe

Slam artist George Watsky plugs into poetry as a media platform – The Boston Globe

It’s a hook likely to catch anyone who’s been to the theater lately. Audiences at George Watsky’s world premiere one-man show, “Where the Magic Happens,’’ will be instructed to turn on their cellphones. That’s right, turn them on.

The show is about “the magic of technology, how being constantly plugged in and connected with each other can drive us further apart,’’ says comedian, writer, and slam poet Watsky, 23, an Emerson College student.

“You go in [the theater] now and our curtain speech says, ‘Please turn off your cellphone, no texting.’ And rightly so! It’s important,’’ says Paul Daigneault, producing artistic director of SpeakEasy Stage Company, which presents the show Sunday and Monday at the Boston Center for the Arts.

“George was interested in taking some of this and saying what would it be like if it was OK to use your phone during the show, and making text messaging the way the audience is interacting with him during the show. And I thought ‘Whoa!’ ’’ Daigneault says. “This is sort of breaking down the boundaries, and it’s interesting to see if we can create a theatrical experience from this.’’

On stage, Watsky offers the clean-cut Gen-Y angst of Michael Cera channeled through the rapid-fire flow of the poetry-slam star that he is. He’s performed everywhere from “Russell Simmons presents Def Poetry’’ on HBO – boldly declaiming about being a high-school virgin – to the Opera House in his native San Francisco.
In “Where the Magic Happens,’’ Watsky says, “I’m at home alone on Friday night waiting for a call from my brother to go out for the night, and the audience is invited into my bedroom, and they will have to turn their cellphones on, and there are different departure points in the piece at which the audience has a choice between two different poems.’’

He’ll ask the audience, for instance, if he and his brother should go to a bar or a big club, and based on the poll results texted to him, he’ll perform the appropriate poem. The live polling program runs on a laptop and projector onstage, so the audience can see the results as they come in.

“I’m plugged in all the time on all these different media platforms,’’ says Watsky, who lives in the South End. “I’m on Facebook, which I check pretty neurotically, and a bunch of different e-mail accounts, and a MySpace page and a YouTube account and obviously a cellphone. There’s very rarely a period in any given day when I’m not in touch. . . . I definitely think it’s an addiction I have, but one that has helped me get my art out there, and I’m trying to explore the positives and negatives of that at the same time. I don’t think I’m much more addicted than anyone else.’’

Watsky is headed for Los Angeles soon to try to make acting and writing happen as a career, while he continues to offer spoken-word performances at colleges. He says he’s got one more class to finish up at Emerson’s LA branch, and then he’ll come back to collect his diploma in the spring.

Producing “Where the Magic Happens’’ meets SpeakEasy’s mission to offer world-premiere shows, especially from artists who have local ties, says Daigneault. “The other thing that got me going on this is my desire to keep my audience young, so SpeakEasy will be around for a long time.’’

In keeping with the youth angle, the show is directed by SpeakEasy artistic associate Jim Fagan, 24, whom Daigneault has tasked with finding emerging artists. Last year SpeakEasy considered producing a cabaret or after-hours series, Fagan explains, and they looked at a variety of artists to participate. A SpeakEasy intern from Emerson introduced them to Watsky. Although the larger series didn’t come off, both Daigneault and Fagan wanted to go ahead and do a show with Watsky.

“He seems so young, but he seems to have such a keen self-awareness and an ability to use that to his advantage,’’ says Fagan. “I don’t think many of our peers hold that kind of ability. He can look at himself, at our generation, and he can be extremely honest, extremely funny and extremely critical . . . and I like that about George a lot.’’

Performances are Sunday and Monday at 7:30 p.m. in the Roberts Studio Theatre, Boston Center for the Arts. Tickets: $15 in advance (online reservation by 5 p.m. Saturday), $20 the night of the show. Payment is cash only at the door. 617-482-3279, www.speakeasystage.com
Celebrating ‘Black Nativity’ 
 

Tonight marks the debut of the 40th-anniversary production of “Black Nativity’’ in Boston – the longest-running version of the show in the world, producers say. Langston Hughes combined his poetry with the Gospel of St. Luke to create this enduring “song-play,’’ which will feature more than 150 singers, dancers, and musicians, including many children. Produced by the National Center of Afro-American Artists, it plays for three consecutive weekends through Dec. 20 at the Tremont Temple.

 
Tickets: $17.50-$45. 800-514-3849, www.blacknativity.org

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